G. H. Stölzel, “German Te Deum.” Madison: A-R Editions, 2010.
J. D. Heinichen, “Herr, nun lässest du deinen Diener in Friede fahren.” Stuttgart: Carus-Verlag, 1991.
J. D. Heinichen, “Heilig ist Gott, der Herr Zebaoth.” Stuttgart: Carus-Verlag, 1989.
Historical Dictionary of Choral Music. (555 pp.) Lanham, Maryland: Scarecrow Press, 2010.
“What a wonderful resource for conductors and singers, teachers and students, professionals and amateurs alike! Speaking as a mixture of the above who never has enough time for the detailed research to which we all aspire, I will find this book a constant and invaluable resource and am grateful!”
Founder, The King’s Singers
Professor Emeritus, Yale University
New Haven, Connecticut
“This book is an incredible accomplishment, successfully covering both familiar and lesser known individuals and repertoire, as well as the standard choral genres. It will prove useful for professionals and lay musicians alike, and will be particularly welcome in university graduate programs, which have long needed a resource of this type.”
Professor of Choral Conducting and Director of Choral Studies
University of California at Los Angeles
Minister of Music and Conductor
Crystal Cathedral, Garden Grove, California
“The importance of Melvin Unger’s new book, Historical Dictionary of Choral Music, is immeasurable. The breadth of the scope of material is what one would expect, but the succinct details of definitions, personalities, styles, and political and artistic attitudes elevate the book to the level of masterwork.”
Paul Mellon University Professor of Music
Director of Choral/Opera Studies
Carnegie Mellon University
Other reviews: Booklist, Choice, Library Journal, Emerald Reference Review.
J. S. Bach’s Major Works for Voices and Instruments: A Listener’s Guide. (152 pp.) Lanham, Maryland: Scarecrow Press, 2005. Reviewed: The American Organist 39/10 (October 2005): 98–99; Musical Times; Reference & Research Book News.
Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach. A revised translation of Karl Hochreither’s Zur Aufführungs-praxis der Vokal-Instrumentalwerke Johann Sebastian Bachs [Kassel: Merseburger, 1983]. (217 pp.) Lanham, Maryland: Scarecrow Press, 2002. Reviewed: On-line Bach Bibliography: www.npj.com/bach (December 2002); The American Organist (February 2003):87–88; Diapason (April 2003), 7–8; Early Music Today 11 (June-July 2003): 23; Musical Times 144/1883 (Summer 2003): 64–66; Eighteenth-Century Music, 1/1 (March 2004): 92–93; Music and Letters 85/4 (2004): 629–31.
Handbook to Bach’s Sacred Cantata Texts: an Interlinear Translation with Reference Guide to Biblical Quotations and Allusions. (777 pp.) Lanham, Maryland: Scarecrow Press, 1996. Reviewed in BACH – Journal of the Riemenschneider Bach Institute 27/2 (Fall–Winter 1996): 84–85; Choice (April 1997), Reference Quarterly (Summer 1997): 602–603; American Record Guide (November – December 1997): 296; Canadian University Music Review 17/2 (1997): 104–7; ARBA (1998): 542; Music and Letters 79 (1998): 114–18; Fontes Artis Musicae (January–June, 1999): 190–93; The American Bach Society Newsletter (Fall 1999): 4–5; The American Organist (August 1999):56; Queen’s University of Belfast, On-line Bach Bibliography: www.npj.com/bach (March 2000). Awarded national publication award by Association of Canadian Choral Conductors, 1998.
The German Choral Church Compositions of Johann David Heinichen (1683–1729). (248 pp.) New York: Peter Lang Publishing, Inc., 1990. Reviewed in Die Musikforschung 45/4 (1992), Music and Letters (Oxford University Press) 73/3 (August 1992), Revue de Musicologie 78/1 (1992), Württembergische Blätter für Kirchenmusik 60/5 (September–October 1993), Notes: Quarterly Journal of the Music Library Association 49/3 (March 1993), International Choral Bulletin 13/2 (January 1994), Musik und Kirche 64/1 (January/February 1994).
Review: Facsimile of Original Performing Parts to Johann Sebastian Bach, “Allein zu dir, Herr Jesu Christ,” BWV 33. Autograph Score (Scheide Library, Princeton, New Jersey), Original Parts (Bach-Archiv, Leipzig, Thomana-Sammlung) and Text Booklet for the 13 to 16th Sundays after Trinity, and St. Michael’s Day, 1724 (Russian National Library, St. Petersburg). With a Commentary in German and English by Christoph Wolff and Peter Wollny. Published jointly by Bach-Archiv Leipzig and Bärenreiter Verlag, 2010, in Bach Notes, Spring 2011.
“Chiastic Reflection in the B-Minor Mass: Lament’s Paradoxical Mirror,” in Exploring Bach’s B-minor Mass, ed. Yo Tomita, Cambridge University Press, forthcoming.
“Bach, Johann Sebastian.” Dictionary of Christian Spirituality. Ed. Glen Scorgie. Grand Rapids, Mich.: Zondervan Publishers, 2011.
“Choral Music.” Dictionary of Christian Spirituality. Ed. Glen Scorgie. Grand Rapids, Mich.: Zondervan Publishers, 2011.
“Uncovering Text-Music Connections with a Relational Database: Towards an Objective Measurement of Pitch Diversity in Relation to Literary Themes in Bach’s Church Cantata Recitatives.” Computers and the Humanities 38/3 (August 2004): 271–97.
“‘Ich elender Mensch’: Bach on the Soul’s Torment.” Paper presented at Passion, Affekt und Leidenschaft in der Frühen Neuzeit, 11th Congress of the Wolfenbütteler Arbeitskreises für Barockforschung, Wolfenbüttel (April 2–5, 2003), published by Harrassowitz, 2005.
Review of Die Quellen Johann Sebatian Bachs. Bachs Musik im Gottesdienst, ed. Renate Steiger (Heidelberg: Mantius Verlag, 1998) in The American Bach Society Newsletter (Spring 2001): 3, 8–9.
Review of Theologische Bachforschung heute: Dokumentation und Bibliographie der Internationalen Arbeitsgemeinschaft für theologische Bachforschung 1976–1996, ed. Renate Steiger (Berlin and Cambridge MA: Galda & Wilch Verlag, 1998) in The American Bach Society Newsletter (Fall 2000): 4, 7.
“Bach’s First Two Leipzig Cantatas: the Question of Meaning Revisited.” BACH – Journal of the Riemenschneider Bach Institute (Spring-Summer/Fall-Winter 1997): 87–125.
“A Self-Diagnostic Check-up for Conductors.” The Choral Journal 35 (October 1994): 23–30.
“Choral Flatting: Sometimes It’s a Matter of Register Transition.” The Choral Journal 29 (February 1989): 13–18.
“Britten’s Hymn to St. Cecilia: An Exegesis.” The Choral Journal 22 (April 1982): 17–21.
Assorted music and book reviews; articles in church publications.